I have author Andrew Gavin on the blog today. Very exciting as Andy is the creator of Crash Bandicoot and now author of a really awesome sounding vampire book which I’m eager to get to. The Darkening Dream is available now, my thanks to Andy for my review copy.
You can read up on Andy and The Darkening Dream at these sites and be sure to take a look at the amazing cover for The Darkening Dream which was done by the artist behind the new Chronicles of Narnia covers.
Please tell everyone about yourself
Have you always wanted to write or is this a new interest?
I’m a lifelong creator and explorer of worlds. As far back as first grade I remember spending most of the school day in one day dream or another. I had a huge notebook stuffed with drawings, story bits, and concepts for an elaborate Sci-Fi/Fantasy world I cobbled together from bits of Star Wars, Narnia, and Battlestar Galactica. By fourth or fifth grade not only was I loosing myself in every fantasy or Sci-Fi novel I could, but I was building Dungeons & Dragons castles and caverns on paper. Then from 1980 on the computer.
Over the following decades I wrote dozens of stories and created and published over a dozen video games all set in alternative universes. And as an avid reader (over 10,000 novels and who knows how many non-fiction volumes) it was no surprise that I eventually decided to write some books of my own.
How does one go from creating Crash Bandicoot, which is an awesome classic by the way to writing a supernatural book?
From at least high school on I always intended to write a bunch of novels. Work just got in the way.
And the thing about making games is that you can no longer do it mostly by yourself. These days, most games are big teams of over a hundred people, with budgets over 50 million dollars. All that means that it’s not about your creative expression (most of the time), but about getting it done, well, on time, and on budget. And the roll of team lead is largely about fire fighting and resource (achem people) wrangling.
So, I really wanted to focus directly on the creative aspects. Dozens of story ideas have been bouncing around in my head for years, and I felt it was time to let a couple of them out.
Please tell us about your new book
1913, Salem, Massachusetts – Sarah Engelmann’s life is full of friends, books, and avoiding the pressure to choose a husband, until an ominous vision and the haunting call of an otherworldly trumpet shake her. When she stumbles across a gruesome corpse, she fears that her vision was more of a premonition. And when she sees the murdered boy moving through the crowd at an amusement park, Sarah is thrust into a dark battle she does not understand.
With the help of Alex, a Greek immigrant who knows a startling amount about the undead, Sarah sets out to uncover the truth. Their quest takes them to the factory mills of Salem, on a midnight boat ride to spy on an eerie coastal lair, and back, unexpectedly, to their own homes. What can Alex’s elderly, vampire-hunting grandfather and Sarah’s own rabbi father tell them? And what do Sarah’s continuing visions reveal?
No less than Gabriel’s Trumpet, the tool that will announce the End of Days, is at stake, and the forces that have banded to recover it include a 900 year-old vampire, a trio of disgruntled Egyptian gods, and a demon-loving Puritan minister. At the center of this swirling cast is Sarah, who must fight a millennia-old battle against unspeakable forces, knowing the ultimate prize might be herself.
How did The Darkening Dream come about?
By a combination of the visceral and the cerebral. With The Darkening Dream, the visceral part was this image I had – and some might consider me disturbed – of a dead tree silhouetted against an orange sky, a naked body bound to it, disemboweled, and bleeding out. The sound of a colossal horn or gong blares. The blood glistens black in the sunset light. Bats circle the sky and wolves bay in the distance.
But sacrifice isn’t just about killing. It’s a contract. Someone is bargaining with the gods.
And on the cerebral side, I’ve always been a huge vampire fan and I’ve read and watched a large percentage of the oeuvre. But also as a history buff I wanted to write a supernatural story that was more grounded in real history and legend. I’m always thinking, “that could have been so much better if they didn’t make up the historical backstory” so I started with the villains. What kind of ancient evil creatures might still be around? What do they want? And what legitimate human reason would they have to destroy the world (Buffy-style)? I don’t exactly answer the question in TDD, because the motives of 5,000 year old baddies should be mysterious. But trust me, they have a plan, and the sheer audacity of it will literally shake the foundations of the heavens.
What are you reading now?
I’m currently in the middle of The Strange Affair of Spring Heeled Jack by Mark Hodder. So far, this is a really engrossing alternative history steampunk novel with Sir Richard Francis Burton (the explorer, not the actor) as the protagonist.
What is your work space and working routine like?
My work space is extremely messy but with a great view of Santa Monica and the Pacific Ocean. I write on a 12 core Mac Pro with two Apple 30” monitors. Yeah, I’m a computer geek, and an Apple weenie to boot. I write in Scrivener which is a totally awesome writer’s word processor. Any writer still using Word is crazy .
Unless something distracting is going on I try to have my butt in the chair by around 10am (after working out) and more or less keep it there until around 6pm. If drafting new prose I try to do about 2000 words a day. I write, then I do a polish pass. If I had to rewrite significantly during that pass I’ll do a third sweep to cleanup.
Then I print and run to my wife for instant feedback . Next I email it to my Mom and my “story consultant” (one of my friends who reads it right away). Feedback is good. I find that I’ll often redraft a chunk on the basis of these early comments.
What future works do we have to look forward to?
I have a second finished novel (it’s been through four major drafts and a full line edit). It’s called Untimed and is a YA time travel novel that chronicles the crazy adventures of a boy no one remembers, who falls through a hole in time and finds himself lost in the past. It’s very different with an extremely immediate first person present voice (in this book the only thing anyone can hold on to is the present). It rocks. Seriously rocks.
I also have a number of other novel starts, including a detailed outline of the sequel to The Darkening Dream – as yet unwritten.